I just finished reading Laurie
Penny's
Cybersexism, a published essay that gave me a well needed kick up the
ass.
If you're not spending your time under the thrall of Twitter or reading the leftie British comment pieces or worshipping Molly Crabapple, she may have slipped you by. Laurie Penny is a UK political and popular culture journalist. She's also about my age, interested in Internet rights, looks like an extra from a My Chemical Romance video, and writes in a tone that is both confident and confessional.
Cybersexism is the second of her essay-style published works I've bought. The first one was Discordia: Six Nights in Crisis Athens which was a fascinating piece of modern journalism accompanied by Molly Crabapplie's ever fantastic art. It's why I really love it when Laurie Penny does write about politics, rather than feminism because I think she has a really great skill for highlighting unseen stories. However, sexism clearly pisses her off. And of course, editors do like getting women to write about being women, rather than about the rise of European Fascism.
All that being said, I really got a lot out of Cybersexism. She covers a whole load of topics around the Internet. Why the cyberpunk writing vision of a place where gender is irrelevant became a place became a place where a woman blogging about comics has to worry about her physical safety.
If you're not spending your time under the thrall of Twitter or reading the leftie British comment pieces or worshipping Molly Crabapple, she may have slipped you by. Laurie Penny is a UK political and popular culture journalist. She's also about my age, interested in Internet rights, looks like an extra from a My Chemical Romance video, and writes in a tone that is both confident and confessional.
Cybersexism is the second of her essay-style published works I've bought. The first one was Discordia: Six Nights in Crisis Athens which was a fascinating piece of modern journalism accompanied by Molly Crabapplie's ever fantastic art. It's why I really love it when Laurie Penny does write about politics, rather than feminism because I think she has a really great skill for highlighting unseen stories. However, sexism clearly pisses her off. And of course, editors do like getting women to write about being women, rather than about the rise of European Fascism.
All that being said, I really got a lot out of Cybersexism. She covers a whole load of topics around the Internet. Why the cyberpunk writing vision of a place where gender is irrelevant became a place became a place where a woman blogging about comics has to worry about her physical safety.
But Laurie Penny's piece is not just a theorum or a nostalgic musing on the early days of the web. It's inspiring and friendly.
It told me not to wilt under the cry of
attention seeking.
It told me that just because I can
write doesn't mean I can't code. That I shouldn't hold onto this idea
that maths is not for me. and I can learn anything I want to.
It reminded that I don't have to be a
coder or hacker-nerd to be fighting for Internet rights.
It reminded me that I wrote a second
dissertation just for fun on Harraway and cyborgs in The Wolves in
the Walls. How I loved that line about existing in the in-between
spaces. That I too would rather be a cyborg than a goddess.
Funnily enough she also has a new book out just now called Unspeakable Things which also includes a fair chunk of Cybersexism I've heard. That's why I just got round to reading the book before that... You should see my to read list.
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| Angry faces |
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| Happy Faces |
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| Obviously the proper use of Edgar Allan Poe is modelling your collection of Lego monsters. |
